Why are Brecht's theories often so baffling? And are they any use to theatre makers today? David Zoob, author of the newly published Brecht: A Practical Handbook, explains how he was converted to Brecht, and why he still matters. Sometime in the late 80s, when I was in my mid-twenties, my theatre company was touring … Continue reading Wrestling with Brecht: author David Zoob on why Brecht still matters
Stanislavsky
‘A voice for life’: Max Hafler on teaching voice to young people
For director and voice teacher Max Hafler, good vocal training is vital for young people – and not just for those preparing for a career in the performing arts. Here he explains the benefits of a holistic approach, and how his new book, Teaching Voice: Workshops for Young Performers, can help teachers and facilitators with … Continue reading ‘A voice for life’: Max Hafler on teaching voice to young people
The Prompt Book 