As attention shifts from the drama at Westminster to the drama in Edinburgh, we hear from three intrepid amateur companies performing plays licensed by Nick Hern Books at this year’s Festival Fringe. From macho corporate politics to brilliant youth theatre via the Ballet Russes, they demonstrate the resourcefulness and the eclecticism of the Fringe at its very best…
Bull by Mike Bartlett
theSpace @ Niddry St, 12-24 August
In the struggle for survival, no blow is too low.
One of three office workers is about to lose their job. As Tony, Isobel and Thomas wait for their boss to deliver the verdict, the three discuss each other’s chances of survival.
One of our actors suggested Mike Bartlett’s play Bull to Arbery Productions. He had performed scenes from it while he was training, and he loved the play. I read it and thought it could be really powerful. I just felt gripped by it. I said yes after only two days.
We rehearsed in quite a lot of depth and detail. We began by brainstorming our reactions to the script. We tried to figure out what we felt were the main themes, and what Bartlett was trying to present. To a degree, Bull speaks for itself. You have the analogy of the bullfight and that image is very rich. It gives you a lot of scope to apply choreography and style to the piece, but it’s also suitably minimalistic. We kept it very simple. I decided to strip everything back and keep the focus on the actors.
We had a great success with the production at the 2019 Scottish Community Drama Association One-Act Festival, where we were selected as a finalist.
We’re going even more minimalistic for the Fringe. There are nine other shows in the same space as us, so we have a very tight turnaround and a tiny cupboard for storage. We’ll be using one white chair and marking out a big circle with hundreds of white plastic cups (the ones you get from an office water cooler) to represent our bull ring/office space. It’s very stark and very abstract.
We’re excited to get started. We’ve got cast members from Edinburgh, Glasgow and Cyprus! This is my first production with Arbery and we can’t wait to take it to the Fringe after its success earlier this year.
– Adam Tomkins, Director
Rattigan’s Nijinksy by Nicholas Wright
KGS Theatre Company
theSpace @ Surgeons Hall, 18-24 August
In a hotel room, lauded playwright Terence Rattigan meets Vaslav Nijinsky’s elderly widow, Romola, to fight over his latest play. Meanwhile in the same room, the impresario Sergei Diaghilev and the young Romola fight over the tormented Nijinsky.
In 1974, Terence Rattigan wrote a television script for the BBC about the relationship between Diaghilev, the impresario behind the Ballets Russes, and Nijinsky, the most renowned dancer of all time, which Rattigan described as ‘the greatest love story since Romeo and Juliet‘. But the playwright withdrew the play and it was never produced…
We are a theatre company of young adults from Kingston Grammar School who have had fantastic success on the Fringe – including a sell-out production of Joseph K by Tom Basden in 2017. Taking a show to Edinburgh really is an experience none of us forget. Past company members have returned to the Fringe producing, writing and performing in their own work – such is the strength of their experiences.
Preparations for this year’s production of Nicholas Wright’s play Rattigan’s Nijinsky are well underway and we have one of our most talented casts. We are hoping to bring both the world of Rattigan and the world of the Ballet Russes to life on the stage simultaneously. We are also learning a great deal about historical perceptions of sexuality as we analyse the stigmas around homosexuality and the circumstances that prevented people living their lives as freely as we do today.
We are greatly looking forward to performing at the Fringe and hope to impress audiences as we have in the past.
– Stu Crohill, Director
Second Person Narrative by Jemma Kennedy
PQA Venues @ Riddle’s Court, 2-6 August
You’re born a girl. You grow up. You grow old. You die. But who is in control of your life story? Can you actually choose your destiny? And how do you forge your own identity along the way?
We are PQA Edinburgh, a weekend children’s performing arts academy based in Scotland’s beautiful and historic capital. This is our second year performing at the Edinburgh Festival Fringe as we had the most spectacular time last year!
The play we have chosen to perform at this year’s Fringe is Second Person Narrative by Jemma Kennedy. We chose this play not only for its fantastic story and wonderful text, but also for the vast array of characters. In the past we have struggled to find great writing for a large predominantly female cast, but with Second Person Narrative we have hit the jackpot!
We’ve been working on the play for several months – as we have only one session a week, we need to spread our rehearsal process out. The rehearsal process has been really enjoyable as the play allows the students to create well-rounded and believable characters and has also given every student the challenge of creating more than one character across the piece. We also decided that this was a wonderful opportunity for our students to use this play for their Trinity College Grade 4 Plays in Production Group exam. I was so proud of the professionalism shown by every student and I was over the moon to announce to the group that they had passed with Merit!
Why not come along and see us in this brilliant production – we’d love to see you!
– Leonna McGilligan-Dix, Principal of PQA Edinburgh
Good luck and break a leg to all the brilliant amateur companies taking NHB-licensed shows to the Edinburgh Fringe this year!
Are you looking for a show to take to the Fringe next year? Take a look at our dedicated Plays to Perform site, where you can search for plays by genre, theme and/or cast size, and sign up for our Plays to Perform newsletter.
Or get in touch with our Performing Rights team – we’re always happy to help you find the perfect play to perform. Call us on 020 8749 4953, or email email@example.com.
Don’t forget to follow us on Twitter, @NHBPerforming.
Our previous Edinburgh Fringe Reports are still available here:
Edinburgh Fringe Report 2018
Edinburgh Fringe Report 2017
Edinburgh Fringe Report 2016 Part 1: Final Preparations
Edinburgh Fringe Report 2016 Part 2: The Reckoning
Edinburgh Fringe Report 2015 Part 1: Cutting it at the Fringe
Edinburgh Fringe Report 2015 Part 2: The Final Reckoning